It should be annotated as a second, or subsequent, edition.A POSTHUMOUS EDITION is one printed from a matrix after the death of an artist.Especially in the case of dead artists, they can be the only evidence of the artist's incremental development of an image. By the late 1960s artists and publishers added such refinements as editions A 1/100, B 1/100, C 1/100, etc., and editions for various countries or continents (where numbers would duplicate the other editions).Collectors may prefer final artist's proofs even when they are identical to the main edition In the late 1950s there started to appear other additional prints in excess of the Arabic numbered edition, such as hors commerce (H. Other editions, on different paper or with changes of ink color, appeared and were callee E. These "refinements" are some of the ways artists and publishers devised to multiply the actual total quantity of an edition of prints, yet retain the illusion of a small limited edition by keeping the hand-inscribed numbers low. These "proofs" started appearing on the market as part of editions; they are another method to extend the edition beyond the stated number of prints.Since vinyl lettering can be cut very small, you can adhere the information for each piece directly beside each artwork.Using a font that is 12pts or less would generally suit this purpose.Once you’ve hung artwork for an exhibition, how are you going to pass on the details of the works to visitors?There are several different options for labeling your work in this setting, though each should let visitors know: Below are some options for professionally labeling your artworks in an exhibition setting.
Here are a few examples of hasty decisions on signing that may destroy an otherwise successful work…Today, Artist Proofs are a customary gift to the technicians who pull the print, in addition to their wages.Artist Proofs can be particularly desirable to collect because of their rarity and especially in the case of working trial proofs, which represent a record of the work in process.Some people stick these directly onto the wall, but unless the wall is perfectly flat and smooth, this usually looks a bit unprofessional.
You can instead stick your labels onto mat board or foamcore, then using a ruler and ex-acto knife cut the edges away so that the label is flush with the mount.
TRIAL PROOF is a working proof pulled before the edition to see what the print looks like at a stage of development, which differs from the edition. If the artist is not printing his own edition, the bon à tirer proof is the final trial proof. This is the trial proof that the artist approves, telling the printer that this is the way he wants the edition to look; it is often accompanied by printing notes, such as paper, ink or inking process and it is the one print used as a reference for the printing of the whole edition. A complimentary copy of the print given to the publisher. AN EDITION is the total number of impressions from a given matrix.